Future Trace Practice

with IM Youngzoo and Martha Joseph

Wednesday, April 16, 7pm
Géza, 306 Maujer
Still image from the ongoing research project Future Trace Practice. Courtesy IM Youngzoo.

Amant New York, Spring 2025 Resident IM Youngzoo presents Future Trace Practice 미래 흔적 연습 , a half-hour performance lecture by Youngzoo followed by a response by Martha Joseph.

Drawing from Youngzoo’s ongoing research into human beliefs about worlds beyond reality—death, apocalypse, and outer space—Future Trace Practice explores how intergenerational knowledge is shaped and carried through movement and migration. The performance lecture focuses on weaving together narratives of taming time; empty graves; migratory birds, revered as sacred liminal beings; and examining how memory, longing, and the act of waiting intertwine with the rhythms of movement and displacement. Integrating video alongside web-based and textual materials, the performance merges speculative storytelling with embodied gestures. The lecture invites audiences to reflect on how we anticipate, construct, and sometimes misinterpret both the past and the future. The response by Martha Joseph will further explore Youngzoo’s performative gestures within the multimedia work.

This program is part of the For Your Reference series, where our artists in residence share and discuss key references informing their ongoing research at Amant. Amant programs are always free. RSVPs are strongly encouraged. Seating is first come, first served with some standing room available. Doors for Future Trace Practice will open at 6:45pm on Wednesday, April 16 in Géza, located at 306 Maujer. This program will be recorded. By attending, you consent to being filmed and acknowledge that the footage may be used for commercial purposes.

Youngzoo Im has been tracking and connecting stories, interested in how science and religion arbitrarily interpret natural phenomena and the beliefs that emerge from the process of communicating them to the public.

Youngzoo works primarily with video, along with painting, installation, and book publishing, to examine absurd beliefs and their underlying structures. By paradoxically juxtaposing spiritual realms such as religion and superstition with scientific ways of thinking, she pays attention to the similarities rather than the differences between the two. Youngzoo starts with a single image or sound, and as she researches, she weaves tradition, history, politics, science, and nuance into her stories. Thus, her work simultaneously contains supernatural elements and (pseudo) scientific images or methods that are arbitrarily interpreted, appropriated, borrowed, and metaphorized.

Martha Joseph is a curator specializing in contemporary art, sound, and performance. At the Museum of Modern Art, she organizes exhibitions, commissions, and performances and is part of the curatorial team for The Marie-Josée and Henry Kravis Studio, MoMA’s space for time-based art. Her writing has appeared in publications by the Whitney Museum of American Art, the Bonner Kunstverein, and MoMA as well as Flash Art and Frieze Magazine. Previously, she has held curatorial positions at The Whitney and The Massachusetts Museum of Contemporary Art (MASS MoCA). She received her Masters degree in the History of Art from Williams College; a Bachelor of Arts in Art History from Oberlin College; and a Bachelor of Music in Vocal Performance from Oberlin Conservatory.